|
Appearances can be deceptive.

There is the rather wonderful (but slightly surreal) story
of a lady in San Diego, who was discovered sitting bolt upright
in her car, with her hands clasped tightly over the back of
her head and her eyes fixed in a wild stare. When worried
passers-by eventually tapped on her side window to question
her, the lady announced that she had been shot in the back
of the head and had to keep her hands there to hold her brains
in. Paramedics were called, but it was only when they cautiously
entered the car, that the truth became apparent: the lady
in question had in fact dumped a load of groceries on her
back seat, after a supermarket shop, then settled down to
take a bit of a nap in the drivers seat. The hot sun had heated
her groceries to the point where a can of Pillsbury dough
had exploded with a bang (the supposed gun shot) and propelled
a wad of soft, warm dough into the lady's hair. Having been
woken with a start by the 'gun shot' the lady had instinctively
reached round to where she felt an impact and jumped to the
conclusion that the squidgy dough was in fact her brains.
She had frantically pushed the dough against her head and
then, petrified to move an inch, she had sat in that exact
position for an hour, until the paramedics had arived and
put her out of her missery. Oh how they all laughed.

So the moral of the story is that things are not always what
they seem, which ties in nicely with the real subject matter
here, Arcam's excellent new AVR280 - an amp that appears to
be an AVR250 with HDMI switching, but isn't! The correct way
of viewing the 280, is that it is really a slightly scaled
down version of Arcam's all-conquering £1500 AVR350.
The 280 has a smaller power supply, but is otherwise very
similar to its big brother. This means that it utilises the
same expensive op amps and processing circuitry as the 350,
which in turn were derived from Arcam's flagship AVP700 pre-amp.
Not surprisingly, the result is class leading sound, with
the 280 comfortably outperforming not only the old 250, but
also the AVR300. Consequently, the AVR250 and 300 have now
been discontinued! This amp is streets ahead of the Japanese
competition, particularly when listening to music. Performance
into KEF KHT / KEF iQ5 / Dali IKON 6 is nothing short of breathtaking.
So just like our lady in the story above, use your brains,
get some dough....
.......and
buy yourself an AVR280.
|
|

In a nutshell...
|
AVR280
(RRP £1200)...
- Two
HDMI inputs, one HDMI output
- 7
x 80 watts per channel continuous power output
- Dolby
Digital EX, DTS ES DTS24/96 & Dolby Pro logic
IIx decoding
- HDTV
compatible component / RGB switching
- Composite
and S-video up conversion to component or RGB
- Bi-amp
facility for front speakers
- Separate
tone controls for each loudspeaker
- Second
zone output with audio and video
- Audiophile
sound quality for movies and music
|
Extras
you get on an AVR350 (RRP
£1550)...
- More
power - 7 x 100 watts
- Slightly better
sound quality (upgraded output transistors and power
supply)
- Input
lights on front panel (individual lights shows which
input you're on)
- Pre-amp
outputs
- Aux
in on front panel (for an Mp3 player)
|
NB - This amp switches HDMI video not HDMI audio - Arcam (quite rightly) suggest that you should use the normal connection means (coaxial or optical) for audio transmission, and that you'll always want to use your Home Cinema speakers for sound, not (cheap, inferior) plasma speakers. If you absolutely must use the speakers on your plasma / TV, there are work-arounds to this, so don't let it put you off. The point Arcam are making here is that sound quality ultimately suffers if you put it through HDMI switching. |